faisal aziz

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Design a square 1:1 image containing exactly 6 panels, read left to right. Keep the same wardrobe, facial landmarks, apparent age, hair, and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a phone-charging station away from the bed before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them putting one charging cable away instead of leaving it loose, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the task leaves the room slightly more ready for the next person. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as clean but lived-in lifestyle photography with high skylight with a quiet pool of illumination on the working area and a restrained palette of warm stone, charcoal, and muted olive. The emotional progression should move toward dry humor through posture and action, not facial redesign. Let the face stay recognizable even when attention is directed toward the task. Do not include captions or any other text. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them examining a young seedling in both hands as if it carries a private history in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: Art Deco editorial geometry with streamlined luxury. Mood: reflective, gentle and time-layered, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both irises and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make a young seedling the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a textile atelier with natural fibers and repaired tools. Show the subject in a charcoal overshirt over a plain crew-neck shirt and dark trousers, threading a needle through a seam that has already been mended once. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers presents one recommendation while keeping the rejected possibilities materially present. Explore why saying 'I do not know' can be evidence of a stronger system; direct expression and posture toward clear-eyed trust, never melodrama or ad-like confidence. Use a 100mm macro-to-portrait hybrid: one material detail near the lens and the subject's face readable beyond it, both physically plausible. Make the composition make the abstention visually active rather than empty. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using soft north-facing daylight with restrained contrast and visible skin texture and a palette of clean off-white, deep navy, and one oxidized-copper accent. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing a clear glass vessel at the edge of a table in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: cinematic naturalism with restrained painterly grading. Mood: hopeful, earned and elegantly restrained, with serene seriousness; human and never theatrical. Lighting: low dawn sun with cool open-shadow fill; keep both eyes and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a clear glass vessel the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them standing beside a low plinth supporting a smooth river stone in an old olive grove in quiet wind, exploring an ordinary person carrying mythic weight without costume. Style: Symbolist nocturne realism with subtle dream imagery. Mood: elemental, dignified and emotionally grounded, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette olive, terracotta, stone, bronze and sky blue; wardrobe a plain earth-toned coat and linen shirt; make a smooth river stone the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a key with no visible lock and glancing back in a corridor containing one floating window, exploring the moment before crossing into an altered reality. Style: quiet surreal realism with one believable impossibility. Mood: poetic, uncanny and calmly believable, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both eyes and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette cloud white, ocean blue, sand, violet and mirror silver; wardrobe a simple dark coat over a pale shirt; make a key with no visible lock the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Edit the attached reference photo directly. Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Retain real skin texture, apparent age and natural asymmetry. Create a square 1:1 composition. Change: Replace only the visible top with an olive cotton-linen overshirt worn open over cream. Preserve: keep the source composition, camera position, lens perspective, recognizable facial geometry, physically readable pose or action, gaze, anatomy, and every unrequested pixel or boundary stable. Retain original collarbone geometry, pose, and crop while resolving the two fabric layers. Treat the source portrait’s existing setting and emotional register as fixed unless the Change instruction explicitly replaces the background; in that case, alter only the stated background and preserve the complete subject. Use the edited result for a contemporary remote-work profile. Resolve the requested material as dry olive cotton-linen and unbranded cream jersey, matching the source focus, grain, light direction, contact shadow, depth, and color response. Keep untouched skin, hair, facial hair, ears, neck, hands, fabric edges, object contact, and background geometry stable where appropriate. Do not allow the edit to leak into facial age, complexion, ethnicity, body width, hair density, expression, or any unrelated area. Add no new people, text, logos, signatures, watermarks, malformed anatomy, repeated objects, implausible reflections, or inconsistent shadows.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a laurel sprig held in the hand, never worn near their chest while looking just past camera in an old olive grove in quiet wind, exploring an ordinary person carrying mythic weight without costume. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: elemental, dignified and emotionally grounded, with reflective fatigue without distress; elegant and restrained. Lighting: broad skylight with silver reflector fill; keep both irises and natural skin texture readable. Camera: 50mm eye-level medium close-up; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette olive, terracotta, stone, bronze and sky blue; wardrobe a plain earth-toned coat and linen shirt; make a laurel sprig held in the hand, never worn the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Build a vertical 4:5 layout containing exactly 7 panels, read top to bottom. Keep the same wardrobe, facial landmarks, apparent age, hairline, facial hair and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a phone-charging station away from the bed before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them coiling the charging cable so it cannot fall to the floor, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the task leaves the room slightly more ready for the next person. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as natural-light home documentary photography with clean studio light shaped like a broad window, with gentle falloff and no plastic retouching and cream, walnut, and faded burgundy. The emotional progression should move toward attentive curiosity through posture and action, not facial redesign. Let light reveal the material difference between clean, worn, dry, wet, folded, and used. Do not include captions or any other text. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging a notebook open to a blank page with deliberate care in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: luminous botanical realism with jewel-like precision. Mood: hopeful, earned and elegantly restrained, with reflective fatigue without distress; human and never theatrical. Lighting: backlit translucent material with neutral face fill; keep both irises and natural skin texture readable. Camera: 55mm layered environmental portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a notebook open to a blank page the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a fold-out narrative strip containing exactly 7 panels, read left to right. Keep the same wardrobe, facial landmarks, apparent age, hairline, facial hair and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a neighborhood park with a kite pulling harder than expected before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them turning a minor mistake into a shared joke, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the joke is discovered gradually rather than announced. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as direct-flash humor portraiture with restrained color with clean studio light shaped like a broad window, with gentle falloff and no plastic retouching and clean neutrals with one cobalt accent. The emotional progression should move toward human vulnerability without melodrama through posture and action, not facial redesign. Let one object violate the otherwise orderly pattern. Do not include captions or any other text. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing a notebook open to a blank page at the edge of a table in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: cinematic naturalism with restrained painterly grading. Mood: hopeful, earned and elegantly restrained, with serene seriousness; human and never theatrical. Lighting: low dawn sun with cool open-shadow fill; keep both eyes and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show the full hairline, eyes, nose, mouth and jawline. Materials: medium-format film, glass, textile and fine grain; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a notebook open to a blank page the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing an unlabeled cassette tape at the edge of a table in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: cinematic naturalism with restrained painterly grading. Mood: dreamlike, intimate and slightly uncanny, with reflective fatigue without distress; elegant and restrained. Lighting: backlit translucent material with neutral face fill; keep both irises and natural skin texture readable. Camera: 55mm layered environmental portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make an unlabeled cassette tape the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a paper-kite spool near their chest while looking just past camera in a train platform with one passing blur, exploring an inner point of calm while the world moves. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: dynamic, centred and quietly disciplined, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette silver, deep navy, chalk, signal red and washed blue; wardrobe a flexible dark jacket over a light shirt; make a paper-kite spool the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a brushed-metal rectangle carried at their side in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: wabi-sabi portraiture with tactile asymmetry. Mood: clear, poised and radically uncluttered, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both irises and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a brushed-metal rectangle the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from an hourglass with motionless sand and glancing back in a corridor containing one floating window, exploring the moment before crossing into an altered reality. Style: quiet surreal realism with one believable impossibility. Mood: poetic, uncanny and calmly believable, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both eyes and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette cloud white, ocean blue, sand, violet and mirror silver; wardrobe a simple dark coat over a pale shirt; make an hourglass with motionless sand the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them examining an hourglass with motionless sand in both hands as if it carries a private history in a corridor containing one floating window, exploring the moment before crossing into an altered reality. Style: Art Deco editorial geometry with streamlined luxury. Mood: poetic, uncanny and calmly believable, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette cloud white, ocean blue, sand, violet and mirror silver; wardrobe a simple dark coat over a pale shirt; make an hourglass with motionless sand the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a neatly folded coat near their chest while looking just past camera in a train platform with one passing blur, exploring an inner point of calm while the world moves. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: dynamic, centred and quietly disciplined, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette silver, deep navy, chalk, signal red and washed blue; wardrobe a flexible dark jacket over a light shirt; make a neatly folded coat the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Edit the attached reference photo directly. Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Keep the face recognizable, with natural skin texture, apparent age, facial proportions and natural asymmetry unchanged by the edit. Create a square 1:1 composition. Change: Change only the color rendering to a restrained ink-blue and warm-grey duotone. Preserve: keep the source composition, camera position, lens perspective, recognizable facial geometry, physically readable pose or action, gaze, anatomy, and every unrequested pixel or boundary stable. Keep all geometry, values, texture, and subject-background separation stable; map tones smoothly without posterizing the face. Treat the source portrait’s existing setting and emotional register as fixed unless the Change instruction explicitly replaces the background; in that case, alter only the stated background and preserve the complete subject. Use the edited result for a print-led magazine portrait. Resolve the requested material as ink blue and warm grey on simulated uncoated stock, matching the source focus, grain, light direction, contact shadow, depth, and color response. Keep untouched skin, hair, ears, neck, hands, fabric edges, object contact, and background geometry stable where appropriate. Do not allow the edit to leak into facial age, complexion, body width, hair density, expression, or any unrelated area. Add no new people, text, logos, signatures, watermarks, malformed anatomy, repeated objects, implausible reflections, or inconsistent shadows.

من نص البرومبت

Edit the attached reference photo directly. Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Keep the face recognizable, with natural skin texture, apparent age, facial proportions and natural asymmetry unchanged by the edit. Create a square 1:1 composition. Change: Outpaint only the right side to create one empty third of usable copy space. Preserve: keep the source composition, camera position, lens perspective, recognizable facial geometry, physically readable pose or action, gaze, anatomy, and every unrequested pixel or boundary stable. Preserve all original pixels and facial geometry; extend existing perspective and illumination with no duplicated props. Treat the source portrait’s existing setting and emotional register as fixed unless the Change instruction explicitly replaces the background; in that case, alter only the stated background and preserve the complete subject. Use the edited result for a report-cover hero with right-side clearance. Resolve the requested material as the source setting continued with restrained detail, matching the source focus, grain, light direction, contact shadow, depth, and color response. Keep untouched skin, hair, ears, neck, hands, fabric edges, object contact, and background geometry stable where appropriate. Do not allow the edit to leak into facial age, complexion, body width, hair density, expression, or any unrelated area. Add no new people, text, logos, signatures, watermarks, malformed anatomy, repeated objects, implausible reflections, or inconsistent shadows.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a transit token with no text inside a narrow beam of light in a corner café before opening, exploring small grace inside systems built for speed. Style: Bauhaus constructivism with disciplined colour blocks. Mood: observant, tender and slightly lonely, with reflective fatigue without distress; elegant and restrained. Lighting: north-window daylight with warm bounce; keep both eyes and natural skin texture readable. Camera: 70mm slightly low symmetrical half-length frame; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette concrete grey, traffic red, café cream and rainy blue; wardrobe a navy city coat with an open grey scarf; make a transit token with no text the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them revealing a small carved wooden box without exposing readable text in a textile workshop in morning light, exploring heritage carried through material knowledge, not costume. Style: archival cyanotype and platinum portrait language. Mood: grounded, respectful and richly tactile, with reflective fatigue without distress; elegant and restrained. Lighting: north-window daylight with warm bounce; keep both eyes and natural skin texture readable. Camera: 70mm slightly low symmetrical half-length frame; show the full hairline, eyes, nose, mouth and jawline. Materials: gouache, shell gold and cotton paper; palette indigo, clay, date-palm brown, turquoise and warm brass; wardrobe a contemporary neutral jacket with subtle woven texture; make a small carved wooden box the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them examining a miniature wooden door in both hands as if it carries a private history in a corridor containing one floating window, exploring the moment before crossing into an altered reality. Style: Art Deco editorial geometry with streamlined luxury. Mood: poetic, uncanny and calmly believable, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette cloud white, ocean blue, sand, violet and mirror silver; wardrobe a simple dark coat over a pale shirt; make a miniature wooden door the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing a polished brass hand tool at the edge of a table in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: cinematic naturalism with restrained painterly grading. Mood: hopeful, earned and elegantly restrained, with serene seriousness; human and never theatrical. Lighting: low dawn sun with cool open-shadow fill; keep both eyes and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a polished brass hand tool the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50