faisal aziz

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a Riyadh service lane before dawn deliveries. Show the subject in lightweight performance layers with no logos or exaggerated technical detailing, guiding a silent trolley over a rough threshold without waking nearby homes. Make one rigorous physical condition the conceptual engine: fine dust revealing every surface a hidden mechanism has touched dissolves the path after the agreed task is complete. Explore permission as a living relationship rather than a one-time click; direct expression and posture toward watchful autonomy, never melodrama or ad-like confidence. Frame through one real architectural opening, with the foreground sharp enough to feel physical but never covering the face. Make the composition show a mechanism that can be changed from their side only. Render it as museum-grade privacy allegory rendered through physical materials, architectural light, documentary portrait fidelity, and rigorous cause-and-effect, using quiet blue-hour ambient light with one low-intensity tungsten interior source and a palette of smoked glass, parchment, and muted brass without luxury gloss. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid padlocks, fingerprint icons, hooded hackers, surveillance-camera clichés, and floating cybersecurity graphics. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a white ceramics studio with several broken pieces on the floor. Show the subject in a monochrome fine-knit top with softly structured wool trousers, testing which fragments truly belong together without forcing a fit. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers changes course after their quiet intervention without depicting conflict. Explore the ethical value of keeping multiple possible outcomes visible; direct expression and posture toward open deliberation, never melodrama or ad-like confidence. Use an eye-level 65mm medium-format viewpoint with natural perspective and restrained depth of field. Make the composition let no single option dominate by scale or brightness. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using quiet blue-hour ambient light with one low-intensity tungsten interior source and a palette of pale celadon, warm grey, and natural wood tones. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: an empty gallery at closing time. Show them in a navy unstructured jacket over an open-collar shirt, switching off the final track light while looking back at the darkening room. Make one rigorous physical condition the conceptual engine: a server component conserved like a fragile archaeological object is excavated from a future layer while the current-day version remains in their hand. Explore why polished objects can conceal temporary conditions; direct expression and posture toward quiet alarm, never melodrama or ad-like confidence. Frame through one real architectural opening, with the foreground sharp enough to feel physical but never covering the face. Make the composition keep surfaces pristine while function is impossible. Render it as future-archaeology installation photography mixing conservation aesthetics, material aging, precise artifact staging, and emotionally restrained portraiture, using cool early-morning ambient light balanced by one warm practical source and a palette of warm stone, charcoal, and muted olive. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid generic post-apocalyptic ruins, skulls, neon dystopia, fake museum labels, and obvious time-machine imagery. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a field observatory under a pale pre-dawn sky. Show the subject in a charcoal overshirt over a plain crew-neck shirt and dark trousers, leveling a tripod using the ground rather than chasing a perfect horizon. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers grows clearer when uncertainty is acknowledged and more opaque when certainty is performed. Explore when a system's best action is to stop; direct expression and posture toward firm restraint, never melodrama or ad-like confidence. Use a 100mm macro-to-portrait hybrid: one material detail near the lens and the subject's face readable beyond it, both physically plausible. Make the composition freeze the final actuator a measurable distance before contact. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using low-angle late-afternoon light creating long but physically coherent shadows and a palette of warm stone, charcoal, and muted olive. Keep one identity-locked subject, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them revealing a modest bouquet wrapped in plain paper without exposing readable text in a corner café before opening, exploring small grace inside systems built for speed. Style: archival cyanotype and platinum portrait language. Mood: observant, tender and slightly lonely, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette concrete grey, traffic red, café cream and rainy blue; wardrobe a navy city coat with an open grey scarf; make a modest bouquet wrapped in plain paper the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them examining a seemingly weightless stone in both hands as if it carries a private history in a corridor containing one floating window, exploring the moment before crossing into an altered reality. Style: Art Deco editorial geometry with streamlined luxury. Mood: poetic, uncanny and calmly believable, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette cloud white, ocean blue, sand, violet and mirror silver; wardrobe a simple dark coat over a pale shirt; make a seemingly weightless stone the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a silver metronome near their chest while looking just past camera in a train platform with one passing blur, exploring an inner point of calm while the world moves. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: dynamic, centred and quietly disciplined, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette silver, deep navy, chalk, signal red and washed blue; wardrobe a flexible dark jacket over a light shirt; make a silver metronome the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a seemingly weightless stone and glancing back in a corridor containing one floating window, exploring the moment before crossing into an altered reality. Style: quiet surreal realism with one believable impossibility. Mood: poetic, uncanny and calmly believable, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both eyes and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette cloud white, ocean blue, sand, violet and mirror silver; wardrobe a simple dark coat over a pale shirt; make a seemingly weightless stone the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a fold-out narrative strip containing exactly 7 panels, read left to right. Keep the same wardrobe, facial landmarks, apparent age, hairline, facial hair and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a shaded rooftop terrace overlooking modern Riyadh before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them sharing a brief laugh with someone just outside the frame, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the environment becomes part of the subject’s argument. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as modern black-and-white portraiture with full tonal detail with fluorescent office light improved by daylight from a nearby atrium, retaining believable realism and soft grey, date-palm green, and brushed aluminum. The emotional progression should move toward mutual trust through posture and action, not facial redesign. Use repeated vertical lines that stop just before crossing their face, giving the portrait rhythm without obstruction. Do not include captions or any other text. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a white-cube gallery beside one intentionally unfinished wall. Show the subject in a monochrome fine-knit top with softly structured wool trousers, holding a paint roller without covering the remaining patch. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers changes course after their quiet intervention without depicting conflict. Explore the human responsibility that begins where probability ends; direct expression and posture toward sober agency, never melodrama or ad-like confidence. Use an eye-level 65mm medium-format viewpoint with natural perspective and restrained depth of field. Make the composition place their hand near but not inside the mechanism. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using a single overhead practical softened by the surrounding architecture, leaving readable shadow detail and a palette of pale celadon, warm grey, and natural wood tones. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them revealing a transit token with no text without exposing readable text in a corner café before opening, exploring small grace inside systems built for speed. Style: archival cyanotype and platinum portrait language. Mood: observant, tender and slightly lonely, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette concrete grey, traffic red, café cream and rainy blue; wardrobe a navy city coat with an open grey scarf; make a transit token with no text the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a clean warehouse aisle with reusable shipping crates. Show the subject in a monochrome fine-knit top with softly structured wool trousers, checking a repaired latch before returning the crate to service. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers prevents a costly action by refusing to complete the final step. Explore the human responsibility that begins where probability ends; direct expression and posture toward sober agency, never melodrama or ad-like confidence. Use an eye-level 65mm medium-format viewpoint with natural perspective and restrained depth of field. Make the composition place their hand near but not inside the mechanism. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using a single overhead practical softened by the surrounding architecture, leaving readable shadow detail and a palette of smoked glass, parchment, and muted brass without luxury gloss. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing a large tuning knob at the edge of a table in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: cinematic naturalism with restrained painterly grading. Mood: dreamlike, intimate and slightly uncanny, with reflective fatigue without distress; elegant and restrained. Lighting: backlit translucent material with neutral face fill; keep both eyes and natural skin texture readable. Camera: 55mm layered environmental portrait; show the full hairline, eyes, nose, mouth and jawline. Materials: sumi ink, kozo paper and weathered cedar; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make a large tuning knob the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging a polished brass hand tool with deliberate care in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: luminous botanical realism with jewel-like precision. Mood: hopeful, earned and elegantly restrained, with reflective fatigue without distress; human and never theatrical. Lighting: backlit translucent material with neutral face fill; keep both eyes and natural skin texture readable. Camera: 55mm layered environmental portrait; show the full hairline, eyes, nose, mouth and jawline. Materials: gouache, shell gold and cotton paper; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a polished brass hand tool the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging a sealed blank envelope with deliberate care in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: luminous botanical realism with jewel-like precision. Mood: hopeful, earned and elegantly restrained, with reflective fatigue without distress; human and never theatrical. Lighting: backlit translucent material with neutral face fill; keep both eyes and natural skin texture readable. Camera: 55mm layered environmental portrait; show the full hairline, eyes, nose, mouth and jawline. Materials: digital capture, linen, aged plaster and brass; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a sealed blank envelope the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them leaving a white ceramic ring behind as they step through the frame in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: sculptural mixed-media portraiture with lifelike anatomy. Mood: clear, poised and radically uncluttered, with reflective fatigue without distress; elegant and restrained. Lighting: geometric hard key with a soft amber rim; keep both eyes and natural skin texture readable. Camera: 35mm wide environmental portrait with face dominant; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a white ceramic ring the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a hammered brass tray inside a narrow beam of light in a textile workshop in morning light, exploring heritage carried through material knowledge, not costume. Style: Bauhaus constructivism with disciplined colour blocks. Mood: grounded, respectful and richly tactile, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette indigo, clay, date-palm brown, turquoise and warm brass; wardrobe a contemporary neutral jacket with subtle woven texture; make a hammered brass tray the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a shaded garden path after irrigation. Show the subject in a monochrome fine-knit top with softly structured wool trousers, removing one dead leaf while leaving the rest of the plant untouched. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers prevents a costly action by refusing to complete the final step. Explore why saying 'I do not know' can be evidence of a stronger system; direct expression and posture toward clear-eyed trust, never melodrama or ad-like confidence. Use an eye-level 65mm medium-format viewpoint with natural perspective and restrained depth of field. Make the composition make the abstention visually active rather than empty. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using neutral conservation lighting with accurate color response and fine material detail and a palette of smoked glass, parchment, and muted brass without luxury gloss. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them leaving a small plaster cube behind as they step through the frame in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: sculptural mixed-media portraiture with lifelike anatomy. Mood: clear, poised and radically uncluttered, with reflective fatigue without distress; elegant and restrained. Lighting: geometric hard key with a soft amber rim; keep both eyes and natural skin texture readable. Camera: 35mm wide environmental portrait with face dominant; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a small plaster cube the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Build an asymmetric editorial storyboard containing exactly 7 panels, read left to right. Keep the same wardrobe, facial landmarks, apparent age, hairline, facial hair and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a publisher’s meeting room with marked-up proofs before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them placing reading glasses beside a finished page, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the formal portrait relaxes into a candid human moment. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as observational magazine photography with neutral retail lighting that renders skin, fabric, and product colors accurately and chalk white, terracotta, and desaturated blue. The emotional progression should move toward belonging through posture and action, not facial redesign. Use a shallow foreground edge as a visual pause, not a voyeuristic barrier. Permit only tiny panel numbers “1” through “7” in the upper-left corner of each panel; add no other wording. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging an instant photograph turned away from camera with deliberate care in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: luminous botanical realism with jewel-like precision. Mood: dreamlike, intimate and slightly uncanny, with serene seriousness; elegant and restrained. Lighting: low dawn sun with cool open-shadow fill; keep both irises and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make an instant photograph turned away from camera the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting an embroidered cloth panel inside a narrow beam of light in a textile workshop in morning light, exploring heritage carried through material knowledge, not costume. Style: Bauhaus constructivism with disciplined colour blocks. Mood: grounded, respectful and richly tactile, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show the full hairline, eyes, nose, mouth and jawline. Materials: oil on linen, walnut glaze and velvet; palette indigo, clay, date-palm brown, turquoise and warm brass; wardrobe a contemporary neutral jacket with subtle woven texture; make an embroidered cloth panel the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a pair of soft gloves near their chest while looking just past camera in a train platform with one passing blur, exploring an inner point of calm while the world moves. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: dynamic, centred and quietly disciplined, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette silver, deep navy, chalk, signal red and washed blue; wardrobe a flexible dark jacket over a light shirt; make a pair of soft gloves the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them leaving a folded piece of natural linen behind as they step through the frame in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: sculptural mixed-media portraiture with lifelike anatomy. Mood: clear, poised and radically uncluttered, with reflective fatigue without distress; elegant and restrained. Lighting: geometric hard key with a soft amber rim; keep both eyes and natural skin texture readable. Camera: 35mm wide environmental portrait with face dominant; show the full hairline, eyes, nose, mouth and jawline. Materials: oil on linen, walnut glaze and velvet; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a folded piece of natural linen the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50