faisal aziz

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Edit the attached reference photo directly, preserving the eyes, brows, hairline, facial proportions, complexion, real skin texture, apparent age and natural asymmetry. Create a square 1:1 composition. Change: Replace only the background with a lived-in home study containing a blank pinboard. Preserve: keep the source composition, camera position, lens perspective, recognizable facial geometry, physically readable pose or action, gaze, anatomy, and every unrequested pixel or boundary stable. Leave face, hair, wardrobe, pose, and source illumination untouched; match shelf lines to the original horizon. Treat the source portrait’s existing setting and emotional register as fixed unless the Change instruction explicitly replaces the background; in that case, alter only the stated background and preserve the complete subject. Use the edited result for a thoughtful remote-work profile. Resolve the requested material as cream plaster, dark oak, and one cobalt object, matching the source focus, grain, light direction, contact shadow, depth, and color response. Keep untouched skin, hair, facial hair, ears, neck, hands, fabric edges, object contact, and background geometry stable where appropriate. Do not allow the edit to leak into facial age, complexion, ethnicity, body width, hair density, expression, or any unrelated area. Add no new people, text, logos, signatures, watermarks, malformed anatomy, repeated objects, implausible reflections, or inconsistent shadows.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a folded piece of natural linen carried at their side in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: wabi-sabi portraiture with tactile asymmetry. Mood: clear, poised and radically uncluttered, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both irises and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a folded piece of natural linen the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging a large tuning knob with deliberate care in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: luminous botanical realism with jewel-like precision. Mood: dreamlike, intimate and slightly uncanny, with serene seriousness; elegant and restrained. Lighting: low dawn sun with cool open-shadow fill; keep both eyes and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make a large tuning knob the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a folded red cloth near their chest while looking just past camera in an old olive grove in quiet wind, exploring an ordinary person carrying mythic weight without costume. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: elemental, dignified and emotionally grounded, with reflective fatigue without distress; elegant and restrained. Lighting: broad skylight with silver reflector fill; keep both eyes and natural skin texture readable. Camera: 50mm eye-level medium close-up; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette olive, terracotta, stone, bronze and sky blue; wardrobe a plain earth-toned coat and linen shirt; make a folded red cloth the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a geometric tile fragment inside a narrow beam of light in a textile workshop in morning light, exploring heritage carried through material knowledge, not costume. Style: Bauhaus constructivism with disciplined colour blocks. Mood: grounded, respectful and richly tactile, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show the full hairline, eyes, nose, mouth and jawline. Materials: medium-format film, glass, textile and fine grain; palette indigo, clay, date-palm brown, turquoise and warm brass; wardrobe a contemporary neutral jacket with subtle woven texture; make a geometric tile fragment the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from an old postcard with no readable writing and glancing back in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: quiet surreal realism with one believable impossibility. Mood: reflective, gentle and time-layered, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make an old postcard with no readable writing the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Build a horizontal 16:9 layout containing exactly 7 panels, read left to right. Keep the same wardrobe, facial landmarks, apparent age, hairline, facial hair and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a quiet home gym before the household wakes before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them finishing a set and recording nothing, simply noticing how it felt, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: effort is followed by recovery, making discipline sustainable. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as health-campaign photography with realistic anatomy with even exhibition light with precise material color and controlled specular highlights and cool white, pale blue, and charcoal with realistic color response. The emotional progression should move toward thoughtful responsibility through posture and action, not facial redesign. Preserve identity under movement by keeping key facial landmarks readable and free of motion warping. Permit only tiny panel numbers “1” through “7” in the upper-left corner of each panel; add no other wording. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing an instant photograph turned away from camera at the edge of a table in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: cinematic naturalism with restrained painterly grading. Mood: dreamlike, intimate and slightly uncanny, with reflective fatigue without distress; elegant and restrained. Lighting: backlit translucent material with neutral face fill; keep both irises and natural skin texture readable. Camera: 55mm layered environmental portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make an instant photograph turned away from camera the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing a coiled audio cable at the edge of a table in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: cinematic naturalism with restrained painterly grading. Mood: dreamlike, intimate and slightly uncanny, with reflective fatigue without distress; elegant and restrained. Lighting: backlit translucent material with neutral face fill; keep both eyes and natural skin texture readable. Camera: 55mm layered environmental portrait; show the full hairline, eyes, nose, mouth and jawline. Materials: medium-format film, glass, textile and fine grain; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make a coiled audio cable the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a climate-controlled archive corridor. Show the subject in a charcoal overshirt over a plain crew-neck shirt and dark trousers, opening an unlabeled archival box whose interior is unexpectedly empty. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers grows clearer when uncertainty is acknowledged and more opaque when certainty is performed. Explore why saying 'I do not know' can be evidence of a stronger system; direct expression and posture toward clear-eyed trust, never melodrama or ad-like confidence. Use a 100mm macro-to-portrait hybrid: one material detail near the lens and the subject's face readable beyond it, both physically plausible. Make the composition make the abstention visually active rather than empty. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using soft north-facing daylight with restrained contrast and visible skin texture and a palette of warm stone, charcoal, and muted olive. Keep one identity-locked subject, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Design a square 1:1 image containing exactly 7 panels, read left to right. Keep the same wardrobe, facial features, apparent age, hair, and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a sunlit architectural model workshop before the main action, with the subject entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of the subject standing beside a scale model and tracing one route with a fingertip, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the subject’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the environment becomes part of the subject’s argument. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the subject. Render the sequence as modern black-and-white portraiture with full tonal detail with soft bedside lamplight with the room kept gentle rather than gloomy and date-brown, stone grey, and a small turquoise note. The emotional progression should move toward patient resilience through posture and action, not facial redesign. Make the posture asymmetrical in a believable way, with weight settled on one leg. Do not include captions or any other text. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Build an asymmetric editorial storyboard containing exactly 7 panels, read left to right. Keep the same wardrobe, facial landmarks, apparent age, hairline, facial hair and environmental continuity across every panel unless a panel description explicitly changes a prop. Panel 1: establish a long blending table with pipettes, blotters, and scales before the main action, with the person entering or settling into the space and the visual problem clearly readable. Panel 2: move closer to their hands as they prepare for the task, preserving wardrobe and object continuity. Panel 3: show the exact moment of them smelling a blotter at the correct distance with a thoughtful pause, keeping their recognizable face and natural posture consistent. Panel 4: introduce a modest complication or second person’s response, never changing the person’s identity or wardrobe. Panel 5: show the adjustment they make after noticing what the situation actually needs. Panel 6: capture the immediate result: the scent decision emerges from patience rather than theatrical luxury. Panel 7: end on a quiet coda in the same environment, with one changed object or gesture proving that the sequence has moved forward. Use clean, consistent gutters and no accidental extra frames, repeated panels, or duplicated versions of the person. Render the sequence as restrained product-launch photography with sunlight bouncing from pale stone, creating luminous but physically plausible fill and cream, walnut, and faded burgundy. The emotional progression should move toward grateful presence through posture and action, not facial redesign. Pair one raw material with one finished surface so craft and luxury occupy the same frame. Do not include captions or any other text. Keep hands, object continuity, body scale, and perspective believable.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging an unlabeled cassette tape with deliberate care in a photographic darkroom between exposures, exploring memory filtered through obsolete machines and recordings. Style: luminous botanical realism with jewel-like precision. Mood: dreamlike, intimate and slightly uncanny, with serene seriousness; elegant and restrained. Lighting: low dawn sun with cool open-shadow fill; keep both eyes and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show the full hairline, eyes, nose, mouth and jawline. Materials: digital capture, linen, aged plaster and brass; palette tape brown, phosphor green, faded magenta and warm black; wardrobe a soft brown jacket over a faded blue shirt; make an unlabeled cassette tape the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them carefully placing a small sapling at the edge of a table in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: cinematic naturalism with restrained painterly grading. Mood: hopeful, earned and elegantly restrained, with serene seriousness; human and never theatrical. Lighting: low dawn sun with cool open-shadow fill; keep both irises and natural skin texture readable. Camera: 70mm profile-to-three-quarter bust with negative space; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a small sapling the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them standing beside a low plinth supporting a spool of bronze-coloured thread in an old olive grove in quiet wind, exploring an ordinary person carrying mythic weight without costume. Style: Symbolist nocturne realism with subtle dream imagery. Mood: elemental, dignified and emotionally grounded, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show the full hairline, eyes, nose, mouth and jawline. Materials: gouache, shell gold and cotton paper; palette olive, terracotta, stone, bronze and sky blue; wardrobe a plain earth-toned coat and linen shirt; make a spool of bronze-coloured thread the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging a small sapling with deliberate care in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: luminous botanical realism with jewel-like precision. Mood: hopeful, earned and elegantly restrained, with reflective fatigue without distress; human and never theatrical. Lighting: backlit translucent material with neutral face fill; keep both eyes and natural skin texture readable. Camera: 55mm layered environmental portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a small sapling the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them examining a soft wool scarf in both hands as if it carries a private history in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: Art Deco editorial geometry with streamlined luxury. Mood: reflective, gentle and time-layered, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both eyes and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make a soft wool scarf the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them examining an old postcard with no readable writing in both hands as if it carries a private history in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: Art Deco editorial geometry with streamlined luxury. Mood: reflective, gentle and time-layered, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both irises and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: medium-format film, glass, textile and fine grain; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make an old postcard with no readable writing the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them seated in profile, arranging a clear glass vessel with deliberate care in a sunrise observatory, exploring possibility created through small acts of care rather than fantasy. Style: luminous botanical realism with jewel-like precision. Mood: hopeful, earned and elegantly restrained, with reflective fatigue without distress; human and never theatrical. Lighting: backlit translucent material with neutral face fill; keep both eyes and natural skin texture readable. Camera: 55mm layered environmental portrait; show the full hairline, eyes, nose, mouth and jawline. Materials: sumi ink, kozo paper and weathered cedar; palette dawn gold, clear glass, fresh green, cream and cobalt; wardrobe a light stone jacket over a relaxed white shirt; make a clear glass vessel the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 100 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them standing beside a low plinth supporting a narrow silk ribbon in a train platform with one passing blur, exploring an inner point of calm while the world moves. Style: Symbolist nocturne realism with subtle dream imagery. Mood: dynamic, centred and quietly disciplined, with reflective fatigue without distress; elegant and restrained. Lighting: broad skylight with silver reflector fill; keep both irises and natural skin texture readable. Camera: 50mm eye-level medium close-up; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette silver, deep navy, chalk, signal red and washed blue; wardrobe a flexible dark jacket over a light shirt; make a narrow silk ribbon the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Retain real skin texture, apparent age and natural asymmetry. Create a portrait-oriented 4:5 composition. Design a print-ready layout for an Arabic repair campaign. The specific setting is a furniture studio beside a replaceable chair joint; show them removing one wooden peg without damaging the frame while wearing a soft ecru cardigan over a slate shirt. Place the exact Arabic headline "ابن ما يمكن إصلاحه" at the lower right, on exactly two lines, using robust Arabic display type with visible structural rhythm. The headline is the only visible wording; do not alter or translate it, and add no numbers, logos, signatures, or watermarks. Render the Arabic joins, dots, baseline, and reading direction correctly, without diacritics. Give the headline first read, the face second, and the action third. Keep letterforms clear of the hairline, forehead, eyes, nose, lips, jaw, hands, and silhouette. Use a slightly elevated three-quarter view so hands, object depth, and every contact point remain legible. Light the scene with clean high-key studio illumination with enough side modelling to retain pores and facial asymmetry. Use only off-white, terracotta, and dark plum in a restrained editorial material language, with an observant, capable emotional register. Keep type crisp at thumbnail scale and preserve plausible depth, fabric, fingers, object contact, perspective, and shadows.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read. Location: a date-palm courtyard at late afternoon. Show them in a monochrome fine-knit top with softly structured wool trousers, marking the moving shade line with three small stones. Make one rigorous physical condition the conceptual engine: a translucent field whose density reflects confidence without displaying numbers changes course after their quiet intervention without depicting conflict. Explore why saying 'I do not know' can be evidence of a stronger system; direct expression and posture toward clear-eyed trust, never melodrama or ad-like confidence. Use an eye-level 65mm medium-format viewpoint with natural perspective and restrained depth of field. Make the composition make the abstention visually active rather than empty. Render it as conceptual technology portraiture combining tactile data physicalization, restrained contemporary art direction, believable mechanisms, and human-centered editorial realism, using neutral conservation lighting with accurate color response and fine material detail and a palette of pale celadon, warm grey, and natural wood tones. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid robot brains, binary rain, chat windows, floating dashboards, branded devices, and fake code. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a small carved wooden box inside a narrow beam of light in a textile workshop in morning light, exploring heritage carried through material knowledge, not costume. Style: Bauhaus constructivism with disciplined colour blocks. Mood: grounded, respectful and richly tactile, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show the full hairline, eyes, nose, mouth and jawline. Materials: gouache, shell gold and cotton paper; palette indigo, clay, date-palm brown, turquoise and warm brass; wardrobe a contemporary neutral jacket with subtle woven texture; make a small carved wooden box the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Edit the attached reference photo directly, preserving the eyes, brows, hairline, facial proportions, complexion, real skin texture, apparent age and natural asymmetry. Create a square 1:1 composition. Change: Replace only the background with a calm contemporary hotel workspace during daylight. Preserve: keep the source composition, camera position, lens perspective, recognizable facial geometry, physically readable pose or action, gaze, anatomy, and every unrequested pixel or boundary stable. Leave the subject, wardrobe, pose, and skin untouched; align desk height and perspective to the existing crop. Treat the source portrait’s existing setting and emotional register as fixed unless the Change instruction explicitly replaces the background; in that case, alter only the stated background and preserve the complete subject. Use the edited result for a business-travel profile. Resolve the requested material as walnut, cream upholstery, and one muted burgundy accent, matching the source focus, grain, light direction, contact shadow, depth, and color response. Keep untouched skin, hair, facial hair, ears, neck, hands, fabric edges, object contact, and background geometry stable where appropriate. Do not allow the edit to leak into facial age, complexion, ethnicity, body width, hair density, expression, or any unrelated area. Add no new people, text, logos, signatures, watermarks, malformed anatomy, repeated objects, implausible reflections, or inconsistent shadows.