جاري التحميل...
جاري التحميل...
Scene: show them turning away from a paper-cut silhouette and glancing back in a black-box stage after the audience leaves, exploring performed roles...
Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a paper-cut silhouette and glancing back in a black-box stage after the audience leaves, exploring performed roles compared with the unguarded self. Style: quiet surreal realism with one believable impossibility. Mood: dramatic but restrained, self-aware and intimate, with reflective fatigue without distress; elegant and restrained. Lighting: cyan edge light with an amber key; keep both eyes and natural skin texture readable. Camera: 100mm close portrait with hands below the face; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: oil on linen, walnut glaze and velvet; palette velvet black, oxblood, stage gold and dusty rose; wardrobe a sharply cut black jacket with a dark-red shirt; make a paper-cut silhouette the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, added or removed facial hair, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50Turn your own photo into a photorealistic portrait in a gym bench between sets with a towel folded over the bar. Keeps your face unchanged.
Turn your own photo into a gallery-scale documentary portrait in an office floor at the end of the day, most desks dark. Keeps your face unchanged.
Turn your own photo into a photorealistic portrait in a small tailor's shop while a hem is finished somewhere behind the counter. Keeps your face unchanged.
Turn your own photo into a photorealistic portrait in a house courtyard at dusk with the heat lifting off the tiles. Keeps your face unchanged.
Turn your own photo into a portrait in the corner of your kitchen where the kettle sits between window and sink. Keeps your face unchanged.
Turn your own photo into a photorealistic portrait in a staff-room table in the slow hour of a night shift. Keeps your face unchanged.
Turn your own photo into a photorealistic portrait in your old school's corridor where the banister ends in a shine every pupil made. Keeps your face unchanged.
Turn your own photo into a quiet observational portrait in a low majlis table where a brass tray gathers glasses and dallah. Keeps your face unchanged.
Turn your own photo into a candid reflex-moment portrait in a long office corridor of doors and cool fluorescent calm. Keeps your face unchanged.
Turn your own photo into a quiet archival portrait in a bench beside a carved door whose brass pull shines from a century of palms. Keeps your face unchanged.
Turn your own photo into a quiet observational portrait in the kitchen of your flat at night with one counter lamp on. Keeps your face unchanged.
Turn your own photo into a candid reflex-moment portrait in a supermarket aisle stacked to the ceiling under flat white light. Keeps your face unchanged.