faisal aziz

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Preserve real skin texture, apparent age, facial proportions, and natural asymmetry. Create a portrait-oriented 4:5 composition. Build exactly 5 panels, read left to right, for a print-production sequence. Panel 1 establishes a small print studio beside a two-color stencil duplicator with two-color paper proofs unchanged. Panel 2 shows them comparing the proof. Panel 3 shows them adjusting paper alignment. Panel 4 shows them printing one corrected sheet. Panel 5 outcome: The final registration sits square beside the visibly offset proof. Keep the person in a contemporary white traditional Gulf outfit with an unstarched collar throughout. Hold identity, wardrobe, prop state, geography, light direction, handedness, and scale constant; change only the described beat. Render the sequence as two-ink graphic comic panels. Carry the same lighting recipe—late-afternoon side light bounced from pale stone, balanced by cool ambient room fill—across all panels, with a restrained sand, walnut, and faded burgundy palette. Use equal gutters, one horizon, stable lens logic, and consistent movement direction. Let the final outcome follow through visible cause and effect, never facial redesign. Include no captions, balloons, panel numbers, extra frames, duplicated figures, logos, signatures, watermarks, or other text. Keep hands, body proportions, object contact, fabric, perspective, and shadows coherent in every panel.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Keep that identity natural, consistent and fully recognizable throughout. Create a square 1:1 composition. Design a print-ready layout for a productivity magazine opener. The specific setting is a calm home office during weekly planning; show them routing one cable through a simple desk channel while wearing a matte navy work shirt with clean cuffs. Place the exact English headline "Build the Quiet System" at the left center, on exactly three lines, using neutral neo-grotesque with compact leading. The headline is the only visible wording; do not alter or translate it, and add no numbers, logos, signatures, or watermarks. Render every English letter cleanly with the stated capitalization and word order. Give the headline first read, the face second, and the action third. Keep letterforms clear of the hairline, forehead, eyes, nose, lips, jaw, hands, and silhouette. Use a restrained 50 mm perspective with parallel verticals and no wide-angle stretching. Light the scene with an overhead diffused panel with a low warm edge from one practical lamp. Use only graphite, bone, and one restrained cobalt accent in a restrained editorial material language, with an observant, capable emotional register. Keep type crisp at thumbnail scale and preserve plausible depth, fabric, fingers, object contact, perspective, and shadows.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a sea-glass bottle inside a narrow beam of light in the open deck of an almost empty ferry, exploring distance, return and the honesty of horizons. Style: Bauhaus constructivism with disciplined colour blocks. Mood: windswept, reflective and restorative, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show the full hairline, eyes, nose and mouth clearly. Materials: gouache, shell gold and cotton paper; palette sea grey, foam white, weathered teal and rope tan; wardrobe a slate knit sweater beneath a light coat; make a sea-glass bottle the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a small bicycle bell inside a narrow beam of light in a corner café before opening, exploring small grace inside systems built for speed. Style: Bauhaus constructivism with disciplined colour blocks. Mood: observant, tender and slightly lonely, with reflective fatigue without distress; elegant and restrained. Lighting: north-window daylight with warm bounce; keep both eyes and natural skin texture readable. Camera: 70mm slightly low symmetrical half-length frame; show the full hairline, eyes, nose and mouth clearly. Materials: gouache, shell gold and cotton paper; palette concrete grey, traffic red, café cream and rainy blue; wardrobe a navy city coat with an open grey scarf; make a small bicycle bell the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a white ceramic ring carried at their side in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: wabi-sabi portraiture with tactile asymmetry. Mood: clear, poised and radically uncluttered, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both eyes and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a white ceramic ring the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a soft wool scarf and glancing back in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: quiet surreal realism with one believable impossibility. Mood: reflective, gentle and time-layered, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: digital capture, linen, aged plaster and brass; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make a soft wool scarf the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them standing beside a low plinth supporting a silver metronome in a train platform with one passing blur, exploring an inner point of calm while the world moves. Style: Symbolist nocturne realism with subtle dream imagery. Mood: dynamic, centred and quietly disciplined, with reflective fatigue without distress; elegant and restrained. Lighting: broad skylight with silver reflector fill; keep both eyes and natural skin texture readable. Camera: 50mm eye-level medium close-up; show the full hairline, eyes, nose and mouth clearly. Materials: gouache, shell gold and cotton paper; palette silver, deep navy, chalk, signal red and washed blue; wardrobe a flexible dark jacket over a light shirt; make a silver metronome the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a young seedling and glancing back in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: quiet surreal realism with one believable impossibility. Mood: reflective, gentle and time-layered, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth and jaw. Materials: sumi ink, kozo paper and weathered cedar; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make a young seedling the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a dish of dried orange peel and glancing back in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: quiet surreal realism with one believable impossibility. Mood: reflective, gentle and time-layered, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make a dish of dried orange peel the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them turning away from a glass jar containing rainwater and glancing back in a spring garden gate after rain, exploring identity changing slowly while rituals remain. Style: quiet surreal realism with one believable impossibility. Mood: reflective, gentle and time-layered, with serene seriousness; elegant and restrained. Lighting: diffuse shoji-like daylight; keep both eyes and natural skin texture readable. Camera: 85mm head-and-shoulders three-quarter portrait; show the full hairline, eyes, nose and mouth clearly. Materials: oil on linen, walnut glaze and velvet; palette autumn rust, winter blue, spring green and summer cream; wardrobe a taupe coat over soft layered cotton; make a glass jar containing rainwater the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 200 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them leaving an indigo-dyed cloth behind as they step through the frame in a stone-carving yard at first light, exploring change made visible through craft, heat and patience. Style: sculptural mixed-media portraiture with lifelike anatomy. Mood: focused, tactile and transformative, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both eyes and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show the full hairline, eyes, nose and mouth clearly. Materials: sumi ink, kozo paper and weathered cedar; palette copper, cobalt, kiln white and workshop grey; wardrobe a clean work jacket over a dark henley; make an indigo-dyed cloth the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a small coil of rope inside a narrow beam of light in the open deck of an almost empty ferry, exploring distance, return and the honesty of horizons. Style: Bauhaus constructivism with disciplined colour blocks. Mood: windswept, reflective and restorative, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show the full hairline, eyes, nose and mouth clearly. Materials: oil on linen, walnut glaze and velvet; palette sea grey, foam white, weathered teal and rope tan; wardrobe a slate knit sweater beneath a light coat; make a small coil of rope the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a blown-glass orb carried at their side in a stone-carving yard at first light, exploring change made visible through craft, heat and patience. Style: wabi-sabi portraiture with tactile asymmetry. Mood: focused, tactile and transformative, with reflective fatigue without distress; elegant and restrained. Lighting: geometric hard key with a soft amber rim; keep both eyes and natural skin texture readable. Camera: 35mm wide environmental portrait with face dominant; show the full hairline, eyes, nose and mouth clearly. Materials: gouache, shell gold and cotton paper; palette copper, cobalt, kiln white and workshop grey; wardrobe a clean work jacket over a dark henley; make a blown-glass orb the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a small plaster cube carried at their side in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: wabi-sabi portraiture with tactile asymmetry. Mood: clear, poised and radically uncluttered, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both eyes and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show the full hairline, eyes, nose and mouth clearly. Materials: digital capture, linen, aged plaster and brass; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a small plaster cube the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them leaving a blown-glass orb behind as they step through the frame in a stone-carving yard at first light, exploring change made visible through craft, heat and patience. Style: sculptural mixed-media portraiture with lifelike anatomy. Mood: focused, tactile and transformative, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both eyes and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette copper, cobalt, kiln white and workshop grey; wardrobe a clean work jacket over a dark henley; make a blown-glass orb the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them revealing a small bicycle bell without exposing readable text in a corner café before opening, exploring small grace inside systems built for speed. Style: archival cyanotype and platinum portrait language. Mood: observant, tender and slightly lonely, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show full hairline, eyes, nose, mouth, facial hair and jaw. Materials: gouache, shell gold and cotton paper; palette concrete grey, traffic red, café cream and rainy blue; wardrobe a navy city coat with an open grey scarf; make a small bicycle bell the symbolic anchor. Negative constraints: no change to identity, ethnicity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, facial hair, nose, lips, jaw, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, extra facial hair, clean shave, baldness, hairline-covering hats or bangs, glasses or glare hiding eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only outside facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a thin clear acrylic panel carried at their side in a translucent scrim stage, exploring identity revealed when narrative noise is removed. Style: wabi-sabi portraiture with tactile asymmetry. Mood: clear, poised and radically uncluttered, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both eyes and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show the full hairline, eyes, nose and mouth clearly. Materials: gouache, shell gold and cotton paper; palette warm white, pale grey, soft black and muted beige; wardrobe a fitted plain black crewneck and neutral trousers; make a thin clear acrylic panel the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them setting a pale shell inside a narrow beam of light in the open deck of an almost empty ferry, exploring distance, return and the honesty of horizons. Style: Bauhaus constructivism with disciplined colour blocks. Mood: windswept, reflective and restorative, with serene seriousness; elegant and restrained. Lighting: moonlike ambience with one tungsten practical; keep both eyes and natural skin texture readable. Camera: 45mm slightly low half-length optical-centre frame; show the full hairline, eyes, nose and mouth clearly. Materials: digital capture, linen, aged plaster and brass; palette sea grey, foam white, weathered teal and rope tan; wardrobe a slate knit sweater beneath a light coat; make a pale shell the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them holding a pomegranate branch near their chest while looking just past camera in a calm herbarium study, exploring growth as a patient form of self-recognition. Style: Baroque-inspired chiaroscuro with solemn oil depth. Mood: tender, observant and quietly enchanted, with reflective fatigue without distress; elegant and restrained. Lighting: broad skylight with silver reflector fill; keep both eyes and natural skin texture readable. Camera: 50mm eye-level medium close-up; show the full hairline, eyes, nose and mouth clearly. Materials: oil on linen, walnut glaze and velvet; palette fern green, pomegranate, mist white and soil brown; wardrobe a soft moss jacket over a natural cotton shirt; make a pomegranate branch the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them standing beside a low plinth supporting a pomegranate branch in a calm herbarium study, exploring growth as a patient form of self-recognition. Style: Symbolist nocturne realism with subtle dream imagery. Mood: tender, observant and quietly enchanted, with serene seriousness; elegant and restrained. Lighting: warm high side light with minimal cool fill; keep both eyes and natural skin texture readable. Camera: 150mm distortion-free large-format head-and-torso portrait; show the full hairline, eyes, nose and mouth clearly. Materials: oil on linen, walnut glaze and velvet; palette fern green, pomegranate, mist white and soil brown; wardrobe a soft moss jacket over a natural cotton shirt; make a pomegranate branch the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 150 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them walking slowly with a brass drawing compass carried at their side in a minimal room built from wood and plaster, exploring human imperfection meeting the desire for order. Style: wabi-sabi portraiture with tactile asymmetry. Mood: reverent, balanced and inwardly luminous, with serene seriousness; elegant and restrained. Lighting: raking daylight with a gentle eye lift; keep both eyes and natural skin texture readable. Camera: 35mm frontal waist-up architectural composition; show the full hairline, eyes, nose and mouth clearly. Materials: oil on linen, walnut glaze and velvet; palette bone white, lapis, charcoal and restrained gold; wardrobe a dark collarless jacket with an ivory shirt; make a brass drawing compass the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 300 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Scene: show them revealing a pale shell without exposing readable text in the open deck of an almost empty ferry, exploring distance, return and the honesty of horizons. Style: archival cyanotype and platinum portrait language. Mood: windswept, reflective and restorative, with reflective fatigue without distress; elegant and restrained. Lighting: north-window daylight with warm bounce; keep both eyes and natural skin texture readable. Camera: 70mm slightly low symmetrical half-length frame; show the full hairline, eyes, nose and mouth clearly. Materials: digital capture, linen, aged plaster and brass; palette sea grey, foam white, weathered teal and rope tan; wardrobe a slate knit sweater beneath a light coat; make a pale shell the symbolic anchor. Negative constraints: no change to identity, skin tone, age, facial proportions, eyes, brows, hairline, hairstyle, hair density, nose, lips, ears or teeth; no face swap, morphing, caricature, beautification, de-aging, aging, symmetry correction, heavy makeup, plastic skin, hairline-covering hats or bangs, glasses or glare hiding the eyes, closed eyes, extreme grimace, text, logos, watermarks, duplicate subject, extra limbs or fingers, distorted hands, broken anatomy, facial blur or identity-cropping. Apply abstraction only to environment, clothing and materials, never facial landmarks. --s 250 --ar 1:1 --style raw --cref {REF-IMG-URL} --cw 50

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Treat that reference as the character anchor and change only the scene. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read at exactly 2880x2880 pixels. Location: a mosque entrance where the shoe shelf's front edge is worn round. Show the subject in an ironed pale traditional Gulf outfit with a white taqiyah, pausing at the threshold, hand resting on the shelf's rounded edge. Treat this survivor of repetition as the key: a misbaha whose most-travelled beads have gone glassy and pale while the seldom-reached ones keep their matte skin testifies to constancy more credibly than any spoken claim. Explore why the truest diary of a life is kept by its objects rather than its words; expression open and unforced, carrying patient acknowledgement, the attention held inside the object's own patience. Shoot an 85mm portrait holding the worn detail sharp in the same plane as their eyes. Make the composition balance old surface below against patient face above. Render it as plain observational reportage made from genuinely worn surfaces, credible object history, unstyled rooms, and completely honest texture, using cool north daylight, even and forensic, kind to texture and a palette of dove grey, deep walnut, and a pale bone accent. Photorealistic: this must read as a real photograph from a physical camera, never an illustration, painting, or 3D render. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid museum vitrines, white gloves, catalogue cards, dramatic spotlighting, and any restoration gloss. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.

من نص البرومبت

Use the attached reference photo as the identity reference: keep the same face, skin tone, hair and features as the person in that photo, without beautifying, aging or altering them. Treat that reference as the character anchor and change only the scene. Create a square 1:1 museum-catalog frame with a strong first read and a slower second read at exactly 2880x2880 pixels. Location: their mother's kitchen table with its patterned oilcloth cover. Show the subject in a plain white tee under an open flannel shirt, drawing the saucer toward them across the cloth. Make this the discovery a viewer earns: a shaken jar of mixed nuts settling with every largest piece risen patiently to the top of the crowd makes the kitchen briefly indistinguishable from a laboratory. Explore why the smallest performances of physics are the least applauded and the most repeated; expression open and unforced, carrying a collector's satisfaction, the attention held without any announcement of wonder. Take a 35mm three-quarter view running a diagonal from their gaze to the saucer. Make the composition hold the phenomenon near a frame edge where a viewer finds it second. Render it as plain domestic reportage made from real Saudi interiors, ordinary glassware, credible liquid behaviour, and light chosen to reveal rather than dramatize, using one warm pendant hung low over the table in an otherwise dim room and a palette of cool morning grey, ivory, and a low honey highlight. Photorealistic: this must read as a real photograph from a physical camera, never an illustration, painting, or 3D render. Keep one identity-locked person, credible hands and fingers, natural fabric, and coherent scale, contact, reflections, shadows, airflow, deformation, and materials. Background people only when essential, always secondary and clearly different. Avoid glossy advertising styling, droplets frozen mid-air, exaggerated steam, and food-commercial perfection. No text, labels, logos, signatures, watermarks, random symbols, plastic skin, excessive bloom, or glossy AI finish.